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Free - phase-continuous DSP - local processing

Online Ring Modulator

Multiply audio by a real bipolar carrier, from slow amplitude motion to metallic sidebands. Shape the carrier, sync it to tempo, offset stereo phase, compare the exact difference and export without uploading your file.

Before-and-after illustration of Ring Modulator: Audio and carrier becomes Ring-modulated result through Multiply signals.
Before → process → afterSee the signal story, then hear it in the workspace.

SPECTRAL MAP

Sideband Generator View

See where tone changes across the frequency range. Read the curve from low to high frequency, then connect every visible move to something you can actually hear in the source.

Before-and-after illustration of Ring Modulator: Audio and carrier becomes Ring-modulated result through Multiply signals.
Audio and carrierMultiply signalsRing-modulated result
A frequency-domain view: the source profile, the selected spectral move and the resulting tonal balance share one coordinate system.
Open the full signal breakdownBest source, processing logic, limits and three-pass listening check
  1. Start with the right material

    Slow tremolo, robotic speech, metallic percussion, bell-like textures and stereo carrier movement that needs more control than a fixed character preset.

  2. Understand the transformation

    A phase-continuous sine, triangle, square or saw carrier runs at the selected Hz or BPM division; depth, stereo phase, wet/dry and output controls define the exact multiplication path.

  3. Verify the usable result

    Original, processed and Difference monitoring plus an exact-duration WAV or MP3 render with the chosen carrier and modulation settings.

Sideband spread

Where this workflow stops

Audio-rate ring modulation is intentionally inharmonic on most sources and is not musical pitch shifting. Square and saw carriers add extra harmonics, while low-frequency settings can create strong level pulses.

THREE-PASS CHECK

Make the final decision by ear

  • Sweep or solo only to locate a problem; make the final decision in context.
  • Watch broad tonal balance as well as narrow resonances.
  • Recheck level after any boost so the comparison stays honest.
Carrier
Sine, triangle, square or zero-mean saw at 0.1-2000 Hz, direct Hz or BPM-synchronized.
Signal path
Phase-continuous carrier multiplication, Depth blend toward unity, stereo carrier phase, Dry/Wet, Output and finite sample bound.
Output
Same decoded sample rate, channel count, frame count and duration; local 16-bit WAV or MP3.

How to ring-modulate audio online

  1. Choose a browser-supported audio file or generate the deterministic local demo.
  2. Pick a preset, carrier waveform and frequency, or switch to BPM Sync and choose a musical division.
  3. Set Depth, stereo phase, Dry/Wet and Output, then process locally.
  4. Compare Original, Processed and Difference, then download the exact-duration result as WAV or MP3.

True bipolar multiplication

A ring modulator multiplies every source sample by a carrier from -1 to +1. With a pure 440 Hz sine and a 100 Hz sine carrier, the full-wet output contains strong components near 340 Hz and 540 Hz. The carrier runs from absolute sample position, so its phase is continuous across internal processing chunks.

Depth blends the carrier toward a constant gain of one before multiplication: low values retain more natural amplitude, while 100% gives true bipolar ring modulation. Dry/Wet then blends the untouched input with that modulated result. These are separate controls.

Hz, tempo sync and stereo motion

Hz mode runs from 0.1 Hz for slow motion to 2000 Hz for dense sidebands. BPM Sync maps whole, half, quarter, eighth, sixteenth and triplet divisions to exact cycles per beat. Stereo Phase offsets the carrier on the right and alternating later channels; it never shifts or delays the source waveform.

The carrier and sideband drawing is an explanatory prediction based on the current settings. It is deliberately not labeled as an FFT or measured spectrum.

Limits worth knowing

Privacy: selected audio is decoded, processed and encoded in this browser. It is not sent to AudioWrench. Normal page assets can still be requested when the page loads.

Ring Modulator: quick answer and technical limits

Quick answer: A local ring modulator that multiplies every source sample by a free-running or tempo-synced carrier to create amplitude motion and audio-rate sidebands.

Best for
Slow tremolo, robotic speech, metallic percussion, bell-like textures and stereo carrier movement that needs more control than a fixed character preset.
How it works
A phase-continuous sine, triangle, square or saw carrier runs at the selected Hz or BPM division; depth, stereo phase, wet/dry and output controls define the exact multiplication path.
What you get
Original, processed and Difference monitoring plus an exact-duration WAV or MP3 render with the chosen carrier and modulation settings.

Know before you use it: Audio-rate ring modulation is intentionally inharmonic on most sources and is not musical pitch shifting. Square and saw carriers add extra harmonics, while low-frequency settings can create strong level pulses.

Privacy: Selected audio is processed in this browser and is not uploaded to AudioWrench. Normal page assets can still be requested as described in the privacy notice. Privacy details →

FAQ

What does a ring modulator do to audio?
It multiplies each input sample by a bipolar oscillator. A simple input tone at f and a sine carrier at c produces sum and difference components around f+c and |f-c|, usually without retaining the original tone at full wet.
How is ring modulation different from tremolo?
Classic ring modulation uses a bipolar carrier from -1 to +1. Tremolo uses a nonnegative gain envelope, so it changes loudness without the same frequency inversion. Low carrier frequencies can sound tremolo-like here when Depth is reduced, but the wet carrier remains bipolar.
Does ring modulation pitch-shift the source?
No. Pitch shifting moves the source spectrum while preserving harmonic relationships. Ring modulation creates new sum and difference sidebands, so speech and music often become inharmonic or metallic.
Is my audio uploaded, and what is exported?
The selected file is decoded, processed and encoded on this device and is not uploaded to AudioWrench. WAV and MP3 contain Processed audio at the exact decoded frame count; Difference is for audition only.

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